Hello to all who have decided to follow along as I post for 21 days straight as part of our church fast. As you can see, each entry is numbered as a particular day, so if you are reading this and the title above doesn’t say Day 1, then you should stop now and go read from Day 1, or take a peek at Day 2 and pick a topic you are interested in. Thanks for being brave enough to join me.
Day 18! Closing in on the end of this 21 day project! Thanks for sticking with me!
This post will expound on my appreciation for the work of one Billie Eilish Pirate Baird O’Connell, known by fans as Billie Eilish or just Billie. She splashed onto the scene in 2015 when she dropped Ocean Eyes on Soundcloud much like a previous artist I wrote about back on Day 14, Marshmello. She collaborates and performs shows with her brother Finneas, who produced Ocean Eyes for its publication on the previously mentioned music website.
Why, oh why, you ask, do you like this odd, unpredictable, earthy teenager’s music? It can be so problematic, so disturbing, so…odd.
Yes, I say, to all of that. Her music can be problematic. She sings about topics many would prefer not to hear about, for a number of reasons. The songs that are free of these disturbing and definitely odd topics are generally incredible. I’ve mentioned before that I not only sing bass, but love to listen to it and Billie’s songs provide that bass groove in spades. Deep, intricate, and imaginative bass lines are a hallmark of her music, as is her breathy, some say ethereal, voice. Oddball rhythms, ambient noise, passionate, but flexible choruses, and probing, intimate lyrics all combine to make some great songs.
I’ll skip any more introduction of the artist. If you’ve heard of her, you’ve probably already checked out her official page and her Wikipedia page. If you haven’t and are interested, the links are right there. I’m going to jump into the recommended tracks portion of this post.
First, the uptempo tracks. You Should See Me In A Crown, Bellyache, and My Strange Addiction all have interesting bass lines, quirky vocals and lyrics, and have a slightly dark overtone to them. The broodiness in the lyrics is countered by the vocal delivery. Watch and its remix &Burn are a little lighter in tone, and both still sound great, whether you like the “rapless” Watch or the “rap enhanced” &Burn. They all will work your speakers hard to reproduce the bass lines. They’ll get your head boppin’, particularly one infectious bit of the chorus in Bellyache.
Now for the really impressive tracks. These are all downtempo and lot more contemplative. Still quirky at times. I Love You, When The Party’s Over, and Six Feet Under are rich in plaintive narrative about love, relationships, and loss. Billie’s breathy vocals on I Love You, plus the ambient noises and hints of confusion and chaos make it one of my favorite tracks.
Which leaves just a few more tracks that are in the middle between these two extremes. Hostage, Ocean Eyes, and Lovely, a duet with Khalid, are all very atmospheric and experimental at times. They each have interesting lyrics and paint great sound pictures with the instruments. Indeed, Ocean Eyes, with its lush sounds, is the song that started the whole giant swell of notoriety for Billie.
Does her music have issues? A few, yes, but the gems mentioned here are exactly why I listen to her often, as long as I have a good stereo system available. Unless you’re sporting $300 Beats headphones, these tracks will not sound anywhere near as good as they really are. Even then, once you hear these songs on a good system, feeling the bass right in your chest, headphones don’t do them justice anymore.
Thanks for reading to the end! I hope you enjoyed this post and maybe found a new artist you like.
Three more days of posts to go! Come back tomorrow to learn more about my writing style, then we’ll finish with two articles on relationships and faith.
Photo Credit – Billie Eilish @Pukkelpop 2019–